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Tuesday, April 8, 2014
Education for Socially Engaged Art: Pablo Helguera: 9781934978597: Amazon.com: Books
Education for Socially Engaged Art: Pablo Helguera: 9781934978597: Amazon.com: Books
""For too long Social Practice has been the notoriously flimsy flipside of market-based contemporary art: a world of hand-wringing practitioners easily satisfied with the feeling of 'doing good' in a community, and unaware that their quasi-activist, anti-formalist positions in fact have a long artistic heritage and can be critically dissected using the tools of art and theatre history. Helguera's spunky primer promises to offer a much-needed critical compass for those adrift in the expanded social field." -Claire Bishop, Professor of Contemporary Art and Exhibition History, CUNY, and author of Artificial Hells: Participatory Art and the Politics of Spectatorship "This is an extremely timely and thoughtful reference book. Drawn from empirical and extensive experience and research, it provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices. Rather than propose a system he exposes the temporalities necessary to make these situations possible and resonant. This is a tool that will allow us to consider the difficulties of making socially engaged art and move closer to finding a language through which we can represent and discuss its impact." -Sally Tallant, Artistic Director, Liverpool Biennial "Helguera has produced a highly readable book that absolutely needs to be in the back pocket of anyone interested in teaching or learning about socially engaged art" -Tom Finkelpearl, Director of the Queens Museum, New York, and author of Dialogues in Public Art"
""For too long Social Practice has been the notoriously flimsy flipside of market-based contemporary art: a world of hand-wringing practitioners easily satisfied with the feeling of 'doing good' in a community, and unaware that their quasi-activist, anti-formalist positions in fact have a long artistic heritage and can be critically dissected using the tools of art and theatre history. Helguera's spunky primer promises to offer a much-needed critical compass for those adrift in the expanded social field." -Claire Bishop, Professor of Contemporary Art and Exhibition History, CUNY, and author of Artificial Hells: Participatory Art and the Politics of Spectatorship "This is an extremely timely and thoughtful reference book. Drawn from empirical and extensive experience and research, it provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices. Rather than propose a system he exposes the temporalities necessary to make these situations possible and resonant. This is a tool that will allow us to consider the difficulties of making socially engaged art and move closer to finding a language through which we can represent and discuss its impact." -Sally Tallant, Artistic Director, Liverpool Biennial "Helguera has produced a highly readable book that absolutely needs to be in the back pocket of anyone interested in teaching or learning about socially engaged art" -Tom Finkelpearl, Director of the Queens Museum, New York, and author of Dialogues in Public Art"
How the Art of Social Practice Is Changing the World, One Row House at a Time | ARTnews
How the Art of Social Practice Is Changing the World, One Row House at a Time | ARTnews
"Certainly, the notion of participatory art is not new. The Surrealists were staging hands-on events in Paris almost a century ago. In the 1950s and ’60s, figures like Allan Kaprow and members of Fluxus were turning collective actions into art. The ’70s provided all manner of boundary-blurring social projects: from Miriam Schapiro and Judy Chicago’s Womanhouse in Los Angeles—which was part art installation, part educational facility, part performance space—to Mierle Laderman Ukeles’s pieces involving workers at the New York City Department of Sanitation. (She remains an artist in residence there to this day.) All of these traditions, and many others, have made their way into social practice, a stream of participatory art that tends to display a strong sociological and political bent, often in an effort to draw attention to social ills and conditions. Sometimes, these projects are meant to incite empowerment or change in a community."
"Certainly, the notion of participatory art is not new. The Surrealists were staging hands-on events in Paris almost a century ago. In the 1950s and ’60s, figures like Allan Kaprow and members of Fluxus were turning collective actions into art. The ’70s provided all manner of boundary-blurring social projects: from Miriam Schapiro and Judy Chicago’s Womanhouse in Los Angeles—which was part art installation, part educational facility, part performance space—to Mierle Laderman Ukeles’s pieces involving workers at the New York City Department of Sanitation. (She remains an artist in residence there to this day.) All of these traditions, and many others, have made their way into social practice, a stream of participatory art that tends to display a strong sociological and political bent, often in an effort to draw attention to social ills and conditions. Sometimes, these projects are meant to incite empowerment or change in a community."
Thursday, March 6, 2014
Wednesday, February 5, 2014
Tim Eastman in Kiev | Facebook
Facebook
I got in a few hours ago, I'm staying right off the square, even closer than I had thought, so I'm in a really good location. I took a walk through the camp, there are some serious and amazing barricades up, and lots of big army tents. Everything looks really well-organized, there are stoves going and piles of chopped wood. There's a big stage with jumbo screens on the sides. People are milling around, many look embattled, some very weathered faces, a lot dressed in military surplus gear. It looks like a pretty even divide between old and young. People seem a little wary, understandably. There were some uniformed police (military?) around but fewer than I expected.
I bought a sim card but it's having some connection issues, could be because there are so many people around, so updates from the ground may be spotty. For now I'll try to update from my computer as much as possible.
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If you wish to donate to support my work you may do so by sending donations through PayPal to Tim@TimothyEastman.com
Just click here: https://www.paypal.com/
I bought a sim card but it's having some connection issues, could be because there are so many people around, so updates from the ground may be spotty. For now I'll try to update from my computer as much as possible.
-----
If you wish to donate to support my work you may do so by sending donations through PayPal to Tim@TimothyEastman.com
Just click here: https://www.paypal.com/
Thursday, January 30, 2014
Saturday, January 25, 2014
From Fire to Autonomy: Zapatistas, 20 Years of Walking Slowly
From Fire to Autonomy: Zapatistas, 20 Years of Walking Slowly
Speaking in the mountains of Chiapas, Mexico, on a cold drizzly New Year's Eve, the Zapatista Comandante Hortensia addressed the crowd: "Twenty-five or 30 years ago we were completely deceived, manipulated, subjugated, forgotten, drowned in ignorance and misery." She was communicating the official words of the Zapatista Army of National Liberation (EZLN) on the 20th anniversary of their rebellion, when thousands of indigenous people rose up in arms, took over dozens of major towns and villages in this southern state, and declared "enough is enough, never again will there be a homeland that doesn't include us."
Speaking in the mountains of Chiapas, Mexico, on a cold drizzly New Year's Eve, the Zapatista Comandante Hortensia addressed the crowd: "Twenty-five or 30 years ago we were completely deceived, manipulated, subjugated, forgotten, drowned in ignorance and misery." She was communicating the official words of the Zapatista Army of National Liberation (EZLN) on the 20th anniversary of their rebellion, when thousands of indigenous people rose up in arms, took over dozens of major towns and villages in this southern state, and declared "enough is enough, never again will there be a homeland that doesn't include us."
Comandante Hortensia went on to explain how over the past two decades, they have constructed their own autonomous government, complete with their own health and education system, based in the indigenous traditions of their ancestors. Despite the continual efforts of the "neoliberal bad government" to displace them from their land, the Zapatistas have successfully recuperated thousands of acres of land on which they have constructed communities that are governed "from the bottom up." Community members participate in rotating government positions that operate under the democratic principle of "mandar obedeciendo" (commanding by obeying). Read More Here:20 Years of Walking Slowly
Thursday, January 23, 2014
Wednesday, January 22, 2014
Tuesday, January 21, 2014
Vt. rally pushes for GMO labeling law
Vt. rally pushes for GMO labeling law
Like Vermont, Massachusetts, New Hampshire, New York, Rhode Island, are also considering labeling laws. The states of Maine and Connecticut have already passed laws requiring foods containing GMOs be labeled. However, the Vermont activists alleged those two states' laws are not really laws, because they don't actually take effect until a certain number of other states also pass labeling laws.
Zuckerman said he wants to see a GMO labeling bill that does not have a clause requiring other states to also pass laws. He acknowledged convincing some colleagues in the state Senate to take the leap will be a challenge.Full Report Here | Vt. rally pushes for GMO labeling law
Like Vermont, Massachusetts, New Hampshire, New York, Rhode Island, are also considering labeling laws. The states of Maine and Connecticut have already passed laws requiring foods containing GMOs be labeled. However, the Vermont activists alleged those two states' laws are not really laws, because they don't actually take effect until a certain number of other states also pass labeling laws.
Zuckerman said he wants to see a GMO labeling bill that does not have a clause requiring other states to also pass laws. He acknowledged convincing some colleagues in the state Senate to take the leap will be a challenge.Full Report Here | Vt. rally pushes for GMO labeling law
Sunday, January 19, 2014
Saturday, January 18, 2014
Thursday, January 16, 2014
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